1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows the head of Mary.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail represents the elect.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the left.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other. Christ's feet rest on a sphere, symbol of the universe. With his right hand, he blesses those who are saved and with his left curses those who are damned. These two gestures are emphasized by appropriate emblems, respectively, a lily and a blazing sword. Beneath Christ stands St Michael, prince of the heavenly hosts. He is pictured as young, because he is immortal and as handsome, because he is the embodiment of divine justice. He holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune St Michael holds in his hands a scale in which he weighs souls. The souls are represented by two little naked figures, whose names are "Virtutes" (this picture) and "Peccata". The former kneels, overcome with delight, while the latter seems horrified and screams with terror.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the central panel. Four angels sound trumpets at the feet of Christ; they announce the Last Judgment and waken the dead. They surround the Archangel Michael, who, resplendent in his white robe scarlet cloak, impassively weighs the resurrected. The scale on his left sinks under the weight of the sins of one of the damned screaming in terror while in the other, one of the chosen seems to be expressing his thanks to the Archangel. One cannot fail to admire the delicate brushwork and colouring of the brooch holding the Archangel's cloak.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows the upper panel to the right.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The central panel is dominated by the son of God, seated on a semi-circular rainbow, with the Virgin Mary at one end of the arc and St John the Baptist at the other.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The picture shows a detail of the third panel from the right: group of the damned.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss. In line with traditional thinking, the dead have all risen at the age of 33, Christ's age when he died. The damned souls among them, crying out in despair, move of their own accord toward the fiery mouth of Hell. The limbs of the angular nude figures, still very Gothic in concept, create a complex interlocking pattern.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune The detail shows a group of the damned. In Van der Weyden's time it was believed that lunatics were possessed by demons. Here, the figures of the damned are tortured and deformed by hatred and their faces distorted by madness. Gripped by a collective hysteria, they are unable to weep, but instead scream and fight, as their folly draws them on towards eternal punishment.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
1446-52 Oil on wood Mus?e de l'H?tel Dieu, Beaune At the far left-hand side of the polyptych, paradise is represented as a gothic porch ablaze with light, the door that leads to the divine dwelling place. On the other side, hell is strangely lacking in devils. Instead, it is merely represented by a pile of dark rocks spewing flames and volcanic vapours.Artist:WEYDEN, Rogier van der Title: The Last Judgment (detail) Painted in 1401-1450 , Flemish - - painting : religious
unknow artist
The Last Judgment
Måleriet Identifieringen :: 64218
248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious
Dirck Barendsz
The Last Judgment
Måleriet Identifieringen :: 66085